Category Archives: music

Old White Man Apologizes

I had just finished Jann Wenner’s memoir when the news of his interview with The New York Times broke. I was six when Rolling Stone was first published and had a print subscription for a long time. I decided to read the book less because I interested in Wenner himself as I was in the time period and culture in which he created the magazine: the music, the people, the events. There were lots of good stories that fostered my own memories.

The memoir was long and seemed to drag at points. Wenner was clearly a proud man who likes being rich and well-known and dropping lots of names. It was very different from Elton John’s funny, often self-deprecating story of his own life that I read last year.

And then, just after I finished the book, the interview dropped where Wenner pushed back when asked why all the “masters” featured in his new book were white men. Women and people of color were not articulate enough; they weren’t the philosophers of rock and roll, according to Wenner. Seriously? The interviewer was shocked and mentioned a long list of musicians like Joni Mitchell and Stevie Wonder, all of whom Wenner brushed aside as not meeting the lofty criteria for his book.

And then came the real ugliness, the view into Wenner’s soul: he guessed he should have picked a woman and a black man so he could have avoided these kinds of questions even though they would not have measured up to all these amazing white men. Oh, FFS.

The rest of the interview isn’t much better: Wenner should be proud of his work, but his pride spills over into arrogance. He seems incapable of self-reflection.

The repercussions were swift. The Rock and Roll Hall of Fame that he co-founded kicked him off the board immediately, and a literary festival appearance was cancelled. After a day, the inevitable apology was offered. He spoke badly chosen words, he said, and accepted the consequences.

Craig Seymour, writing in The Guardian after the interview and the apology, reviewed the sexist, racist history of Rolling Stone and rock journalism in general, the not-so-secret history that Wenner “let slip” in the interview.

For me, it’s the apology that continues to wrankle. He is sorry he said what he said. Why? He made it clear in the interview that he knew exactly what he was saying. Even doubled down on it when the interviewer pressed him. So, why apologize? Why not be honest about how you feel, that you wrote the book so you got to choose, and you stand by your statements as horrible as they are. Because, I’ll be honest: I don’t think he is sorry.

Musical Memories

We woke to the news that Jimmy Buffett had died. We were fortunate to hear him in concert. My husband introduced me to sailing, and we would listen to Buffett at some point during our excursions. I have read a couple of his fiction books and found them as upbeat as his music. “Pencil Thin Mustache” is one of my all time favorite songs, and I was able to find a live version.

I failed to mark the passing earlier this year of probably our favorite musician: Gordon Lightfoot. We heard him several times over the years and were never disappointed. I love many of his songs but my favorite is “Song for A Winter’s Night,” a quiet love ballad that he originally recorded in 1967.

Goodbye Treat

When I got to college in 1980, the movie version of Hair was just a year old. I, of course, had not seen it, but the album made its way to my turntable. Eventually, I saw the movie, and it’s one of those that I rewatch every so often. Today, I will watch it once again in honor of Treat Williams who became the hippie George Berger and brought us all along for the freewheeling journey. Williams died in an accident yesterday while riding his motorcycle.

I love every bit of the movie, but my favorite scene comes when the hippies infiltrate the garden party. Williams sings “I’ve Got Life” as he dances along the dinner table, kicking aside the flowers and swinging from the chandelier. It is fun, upbeat but also, on a larger level, speaks to the way change happens as those on the outside come inside and often laugh at the things that seem so important to those claiming the table.

If you haven’t watched the movie, I encourage you to take a look For now, I leave you with Treat Williams:

Ahead of Their Time

I recently read Searching for the Sound: My Life with the Grateful Dead, Phil Lesh’s memoir of his career as the base player for this legendary band. It was a fun if sobering romp through the 1960s and beyond. Lesh catalogs the highs of a joyous, free spirited time, and the lows as he watches friends and fellow musicians die before their time, ravaged by drugs. If you are a fan or just want to learn more how this band became legend, it’s worth a read.

But, I’m writing about Lesh today because before I passed the book on to a friend–she is 30 years younger than I am but a stalwart Dead fan–I grabbed the one quote that I noted as I read. It concerned the Dead’s willingness to let their fans tape the show and share those tapes with others. The band not only tolerated it, but eventually let a few of the “tapers” plug into a second sound board. Famous for never repeating the same show twice, the band seemed unconcerned, and Lesh remembers that Jerry said, “As soon as we play it, we’re done with it. Let ’em have it” (p. 174). That’s not completely true, Lesh writes, as the band itself taped their shows for their own review and some of those tapes made it into the trading streama as well.

Lesh muses about the potential impact of those networks: “It’s interesting to speculate about the influence of these trader networks on the programmers who designed such file-sharing peer-to-peer software as Napster, Lime Wire, or Kazaa–software that does the same thing digitally.” I wonder how this sharing culture also influenced new ways of thinking about copyright that led, eventually, to the Creative Commons movement that gets beyond corporate control and back to grassroots connections that seemed at the heart of ideas about the early Internet.

The Internet Archive has become the online library of not just Grateful Dead shows, but also lots of other live music from Bela Fleck and the Flecktones to New Riders of the Purple Sage. The archive describes the bands who allow their live music to be shared via the platform as trade-friendly. The webpage defining this concept includes a quote from Lesh’s memoir: “On balance, allowing taping was maybe the smartest business move we ever made” (p. 266).

I did not have the opportunity to hear the Grateful Dead while I was at William and Mary as I believe the 1978 show, which coincided with Parents’ Weekend, may have been their last, just a couple years before I arrived. Fortunately, I can listen to those shows and lots and lots and lots of others as part of the Grateful Dead collection at the archive. As the band sings in Franklin’s Tower: If you get confused, just listen to the music play.

Back Online With Boundaries

I spent December binge watching media while making cards, crocheting gifts and baking. When I wasn’t making, I was reading, finishing the year with 134 books. I also completed the Kindle challenge with a perfect month in December. I traveled a bit, too, to see family and friends. All excuses for not blogging, I suppose, but being offline in general helped me consider how and where I wanted to spend my in 2023.

Happy New Year 2023

I have not made a resolution to post every day but figured I could at least check in to wish everyone a happy new year. I spent yesterday setting up my LibraryThing thread in the 75 books a year group, my 9th year sharing life and reading with a few people. I intend to spend more time there than on social media, developing deeper relationships in this protected environment. I created a new year’s greeting just for them as several of them are bird nerds like me.

I would like to take more photos so I signed on for Fat Mum Slim’s Photo a Day challenge. Today’s theme was hello and here was my submission.

Hello

Major is loving the nice weather and we usually get out twice each day for a ramble around the farm. We have had regular sitings of a bald eagle and a hawk along with meadowlarks and white-throated sparrows.

I’ll write more this year about the importance of nature in my life.

January 1, 2023 Dog Walk

I also include a selfie I grabbed on the walk. This is me at 60-1/2, unfiltered. I cringe a little at posting, but I have earned those lines and wrinkles. If I have any wisdom to share, it is to be aware in the present as much as possible. Bad or good, it’s what you have. It is the essential lesson of meditation. It doesn’t mean you can’t change your life and your circumstances if need be, but acceptance of the present can help with that process as well.

For some reason, I thought of Bruce Springsteen as I wrote that advice. His album, Wrecking Ball, is filled with stories of struggle and oppression; yet, there seems to be a sense of hope as well that hard times and rocky ground have moments of contentment and joy as well, even if it is in the listening of a song. I leave you on this first day of the new year with two songs from Springsteen. The first is his live rendition of a Stephen Foster song called “Hard Times (Come Again No More)” and the second the video for “Rocky Ground” from the Wrecking Ball album, which references the Foster song. Many of the songs on Springsteen’s album have connections to old American songs and spirituals.